Belstone Pictures: powerpoint presentation:
Wednesday, October 20, 2021
Sunday, October 17, 2021
"No Time to Die" and "Black Widow" Comparison
James Bond and Black Widow comparison
James Bond - "No Time to Die"
Marvel - "Black Widow"
"No Time to Die" and "Black Widow" Comparison
James Bond and Black Widow comparison
James Bond - "No Time to Die"
Marvel - "Black Widow"
Thursday, October 14, 2021
Opening Title Sequence "Dead Man's Shoes" Analysis
- old camera tapes of baby growing up in between shots
- keeps cutting to 2 men walking on dirt track in field
- credits shown during the walking in field scenes, producers, title of film, cast, editors, writers, etc.
- medium tempo country song playing as non-diegetic sound, nostalgic, sounds old, a bit melancholic
- kids being shown in the films are the two older men walking in the field, possibly brothers, cross cutting
- family footage,
- never saw the character's faces, emotional connection through music, more complex
- music starts on black out screen, half way through into of music video of baby in a pushchair comes in
- vintage style, static on it, looks like real footage from 1970-80s, heavily affected some footage to make it look like old film footage
- opening line of song is "I can't be held responsible", lowkey, slow paced song and gains pace as opening title sequence goes on
- wide establishing shot of field and two men walking, right to left, something unusual is going to occur or is occurring, feels like they're returning from somewhere, establishes the idea that they're returning, British countryside, don't really know where they are, forces us to focus on the fact they are going back from somewhere
- fade/dissolve into more vintage footage, links the two characters to the fact that they are the kids in the videos
- older brother in videos hugging younger brother, sets tone for their relationship
- wide depth of field shot of brothers walking away from camera, shows distance they are walking/scale of journey, don't see them talking whole journey, always a little bit of distance between them or one leading the other
- camera is always still and characters walk away from camera each time, disconnect/shows contrast between the sweet childhood videos and these shots
- shot duration is slow paced of just two men walking, shows that the journey is long
- clips showing family, Christmas opening presents, happy memories, small Christmas tree, not a lot of money/not very privileged, quite a big family, all about family
- cross cut back to the field shots, which are colder feeling than the vintage films
- one brother is wearing walking clothes and carrying the bags, military looking, other brother wearing tracksuit, doesn't look very suited for a long walk
- the one who is always leading is older, about 2-4 years apart, which we can see from the videos as them as kids
- they aren't holding a map so they know where they're going, shows they have possibly done the journey before
- shot of them coming towards the camera, but camera tilts round as they walk past and they're walking away from the camera again, faces seen briefly but not enough to form a connection or gain any information
- somebody is recording everything, emphasises idea of happy childhood as someone wants all of it being recorded for memories
- final shot, music is at the end and fades/dies down, the bag is off his shoulder, we see them walking up to an old looking house, we get the impression that they arrive as they are also no longer on a dirt path, shot fades to black, sense of journey is over and its night time, returning back to a place they possibly hadn't been back for a while
- brother's relationship possibly not as good as it was when they were kids so they're not talking
Opening Title Sequence "Dead Man's Shoes" Analysis
- old camera tapes of baby growing up in between shots
- keeps cutting to 2 men walking on dirt track in field
- credits shown during the walking in field scenes, producers, title of film, cast, editors, writers, etc.
- medium tempo country song playing as non-diegetic sound, nostalgic, sounds old, a bit melancholic
- kids being shown in the films are the two older men walking in the field, possibly brothers, cross cutting
- family footage,
- never saw the character's faces, emotional connection through music, more complex
- music starts on black out screen, half way through into of music video of baby in a pushchair comes in
- vintage style, static on it, looks like real footage from 1970-80s, heavily affected some footage to make it look like old film footage
- opening line of song is "I can't be held responsible", lowkey, slow paced song and gains pace as opening title sequence goes on
- wide establishing shot of field and two men walking, right to left, something unusual is going to occur or is occurring, feels like they're returning from somewhere, establishes the idea that they're returning, British countryside, don't really know where they are, forces us to focus on the fact they are going back from somewhere
- fade/dissolve into more vintage footage, links the two characters to the fact that they are the kids in the videos
- older brother in videos hugging younger brother, sets tone for their relationship
- wide depth of field shot of brothers walking away from camera, shows distance they are walking/scale of journey, don't see them talking whole journey, always a little bit of distance between them or one leading the other
- camera is always still and characters walk away from camera each time, disconnect/shows contrast between the sweet childhood videos and these shots
- shot duration is slow paced of just two men walking, shows that the journey is long
- clips showing family, Christmas opening presents, happy memories, small Christmas tree, not a lot of money/not very privileged, quite a big family, all about family
- cross cut back to the field shots, which are colder feeling than the vintage films
- one brother is wearing walking clothes and carrying the bags, military looking, other brother wearing tracksuit, doesn't look very suited for a long walk
- the one who is always leading is older, about 2-4 years apart, which we can see from the videos as them as kids
- they aren't holding a map so they know where they're going, shows they have possibly done the journey before
- shot of them coming towards the camera, but camera tilts round as they walk past and they're walking away from the camera again, faces seen briefly but not enough to form a connection or gain any information
- somebody is recording everything, emphasises idea of happy childhood as someone wants all of it being recorded for memories
- final shot, music is at the end and fades/dies down, the bag is off his shoulder, we see them walking up to an old looking house, we get the impression that they arrive as they are also no longer on a dirt path, shot fades to black, sense of journey is over and its night time, returning back to a place they possibly hadn't been back for a while
- brother's relationship possibly not as good as it was when they were kids so they're not talking
Wednesday, October 13, 2021
Monday, October 4, 2021
Opening title sequences analysis, guardians of the galaxy and stranger than fiction
“Guardians of the galaxy Vol. 2” analysis
In this scene the character Groot is walking around dancing while the rest of his team is fighting off a massive monster, and also trying to protect Groot in the process. The scene starts in silence with muffled sound of fighting happening in the background, then however Groot turns on a speaker which starts playing music, and so throughout this scene the song “Mr Blue Sky” is playing which is used as pleonastic, diegetic sound as the song would be heard by the characters in the scene because at the beginning of the scene Groot plugs in music to a big speaker which then starts playing the song, and we hear it at the same volume throughout the scene despite the fact Groot is walking and dancing away from the speaker. This could also be seen as contrapuntal sound as within the scene there is fighting happening between the other characters in the scene and the big monster, and the song “Mr Blue Sky” would not typically be associated with fighting or violence, nor with sci-fi. This also adds comedy to the scene and therefore the juxtaposition used then establishes both that it is an action movie as well as a comedy. The opening of the scene the camera is focused on Groot plugging in the music, while it is unfocused on the action going on behind Groot. When he gets the music playing groot does an imitation of an explosion at the same time an explosion happens in the background, and the picture freezes as the title “Guardians of the galaxy Vol. 2” appears on the screen. The camera then pans around groot until we can no longer see the title, and when we can’t see the title any longer the picture unfreezes and groot starts moving and dancing forward as the camera follows, moving backwards. The camera follows groot the whole time whilst we see the chaos and action happening behind him, which adds comedy as groot seems to be dancing along to the music, blissfully unaware of the chaos and cries of help from his teammates, which again establishes the idea of this being the genre of both action and comedy. There are no cuts at all in this scene so it is one long shot used to create the scene. Instead of bombs and actual guns being used in a military way, the characters are mainly using pistols and massive machine guns, which gives us the idea they are not exactly people who have been trained in a certain way like perhaps police would have been.
“Stranger than fiction” analysis
In this scene the character Harold’s daily life and usual routine is being narrated by a female voice, making his life seem like it is being written and frequently talking about his wrist watch as if it is a character in the show. The scene opens with the camera zooming in from the outside of the earth all the way to a close up of Harold’s alarm clock going off in the morning, making it look like there is somebody on the outside watching harold, and this is then confirmed when we here the voice of the narrator. The first few minutes of the scene we are just shown quick shots of his daily routine as the narrator is explaining it, with mainly the use of close up shots and establishing shots, for example when he is at work we are shown a shot of the city and traffic, which indicates he also lives in a city, maybe in an apartment, and we therefore understand he is going to work. When it is “Wednesday” as the narrator describes, we get a close up shot of harold looking in the mirror as he is brushing his teeth, which could also be scene as an eye line match for he is looking at himself through the mirror and we are seeing him in the mirror through his own eyes. There is simple music being played throughout the explanation, used as parallel, non diegetic sound, which reflects his life being simple and regular. This music stops however after we see the first cycle of Harold’s daily life, as we cut to a shot of harold standing in the bathroom brushing his teeth the way he usually does still with the narrator explaining what he is doing, which would be seen at first as non diegetic sound, however it quickly becomes diegetic when he suddenly stops brushing his teeth and looks around as if he has heard something, which we realise a few seconds later is the narrator’s voice as he asks if somebody is there. The use of the narrator indicates there is something fiction about Harold’s life and therefore quite unusual, fitting with the title “Stranger Than Fiction.” While he is brushing his teeth that Wednesday and is hearing the narrator speak, Harold’s facial expression slowly confused as well as panicked and he slows down his brush strokes of brushing his teeth, showing his panic and worry further, possibly because he is scared that he might be hearing things as he hears the narrator’s voice. Throughout the scene the narrator says phrases such as “Harold’s watch didn’t like it, but it said nothing” and “until Harold’s wrist watch changed everything”, which makes Harold’s wrist watch seem like a person and not inanimate as it should be, which then indicates that it is important in the story, then adding to that unusual aspect to the scene.
Opening title sequences analysis, guardians of the galaxy and stranger than fiction
“Guardians of the galaxy Vol. 2” analysis
In this scene the character Groot is walking around dancing while the rest of his team is fighting off a massive monster, and also trying to protect Groot in the process. The scene starts in silence with muffled sound of fighting happening in the background, then however Groot turns on a speaker which starts playing music, and so throughout this scene the song “Mr Blue Sky” is playing which is used as pleonastic, diegetic sound as the song would be heard by the characters in the scene because at the beginning of the scene Groot plugs in music to a big speaker which then starts playing the song, and we hear it at the same volume throughout the scene despite the fact Groot is walking and dancing away from the speaker. This could also be seen as contrapuntal sound as within the scene there is fighting happening between the other characters in the scene and the big monster, and the song “Mr Blue Sky” would not typically be associated with fighting or violence, nor with sci-fi. This also adds comedy to the scene and therefore the juxtaposition used then establishes both that it is an action movie as well as a comedy. The opening of the scene the camera is focused on Groot plugging in the music, while it is unfocused on the action going on behind Groot. When he gets the music playing groot does an imitation of an explosion at the same time an explosion happens in the background, and the picture freezes as the title “Guardians of the galaxy Vol. 2” appears on the screen. The camera then pans around groot until we can no longer see the title, and when we can’t see the title any longer the picture unfreezes and groot starts moving and dancing forward as the camera follows, moving backwards. The camera follows groot the whole time whilst we see the chaos and action happening behind him, which adds comedy as groot seems to be dancing along to the music, blissfully unaware of the chaos and cries of help from his teammates, which again establishes the idea of this being the genre of both action and comedy. There are no cuts at all in this scene so it is one long shot used to create the scene. Instead of bombs and actual guns being used in a military way, the characters are mainly using pistols and massive machine guns, which gives us the idea they are not exactly people who have been trained in a certain way like perhaps police would have been.
“Stranger than fiction” analysis
In this scene the character Harold’s daily life and usual routine is being narrated by a female voice, making his life seem like it is being written and frequently talking about his wrist watch as if it is a character in the show. The scene opens with the camera zooming in from the outside of the earth all the way to a close up of Harold’s alarm clock going off in the morning, making it look like there is somebody on the outside watching harold, and this is then confirmed when we here the voice of the narrator. The first few minutes of the scene we are just shown quick shots of his daily routine as the narrator is explaining it, with mainly the use of close up shots and establishing shots, for example when he is at work we are shown a shot of the city and traffic, which indicates he also lives in a city, maybe in an apartment, and we therefore understand he is going to work. When it is “Wednesday” as the narrator describes, we get a close up shot of harold looking in the mirror as he is brushing his teeth, which could also be scene as an eye line match for he is looking at himself through the mirror and we are seeing him in the mirror through his own eyes. There is simple music being played throughout the explanation, used as parallel, non diegetic sound, which reflects his life being simple and regular. This music stops however after we see the first cycle of Harold’s daily life, as we cut to a shot of harold standing in the bathroom brushing his teeth the way he usually does still with the narrator explaining what he is doing, which would be seen at first as non diegetic sound, however it quickly becomes diegetic when he suddenly stops brushing his teeth and looks around as if he has heard something, which we realise a few seconds later is the narrator’s voice as he asks if somebody is there. The use of the narrator indicates there is something fiction about Harold’s life and therefore quite unusual, fitting with the title “Stranger Than Fiction.” While he is brushing his teeth that Wednesday and is hearing the narrator speak, Harold’s facial expression slowly confused as well as panicked and he slows down his brush strokes of brushing his teeth, showing his panic and worry further, possibly because he is scared that he might be hearing things as he hears the narrator’s voice. Throughout the scene the narrator says phrases such as “Harold’s watch didn’t like it, but it said nothing” and “until Harold’s wrist watch changed everything”, which makes Harold’s wrist watch seem like a person and not inanimate as it should be, which then indicates that it is important in the story, then adding to that unusual aspect to the scene.
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James Bond and Black Widow comparison James Bond - "No Time to Die" < official "No Time to Die" poster Marketing an...
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We had to use the audio and actually take into consideration how it would fit with the video When one person was talking, we first edited th...